Acasฤƒ ยป Stiri ยป Helgard Haug and Stefan Kaegi from Rimini Protokoll in dialogue with Octavian Saiu

Helgard Haug and Stefan Kaegi from Rimini Protokoll in dialogue with Octavian Saiu

๐‹๐ข๐ฏ๐ž, ๐จ๐ง๐ฅ๐ข๐ง๐ž, ๐จ๐ง ๐ญ๐ก๐ž ๐…๐š๐œ๐ž๐›๐จ๐จ๐ค ๐ฉ๐š๐ ๐ž๐ฌ ๐จ๐Ÿ ๐“๐ž๐š๐ญ๐ซ๐ž๐ฅ๐ฅ๐ข, ๐‘๐ข๐ฆ๐ข๐ง๐ข ๐๐ซ๐จ๐ญ๐จ๐ค๐จ๐ฅ๐ฅ ๐š๐ง๐ ๐†๐จ๐ž๐ญ๐ก๐ž-๐ˆ๐ง๐ฌ๐ญ๐ข๐ญ๐ฎ๐ญ ๐๐ฎ๐œ๐ฎ๐ซ๐ž๐ฌฬฆ๐ญ๐ข
๐Ÿ.๐Ÿ๐ŸŽ.๐Ÿ๐ŸŽ๐Ÿ๐Ÿ, ๐Ÿ• ๐๐Œ (๐๐ฎ๐œ๐ก๐š๐ซ๐ž๐ฌ๐ญ ๐ญ๐ข๐ฆ๐ž)
๐ˆ๐ง ๐„๐ง๐ ๐ฅ๐ข๐ฌ๐ก, ๐ฐ๐ข๐ญ๐ก๐จ๐ฎ๐ญ ๐ญ๐ซ๐š๐ง๐ฌ๐ฅ๐š๐ญ๐ข๐จ๐ง
Walking in public gained new meaning with the pandemic. An ancient and everyday ritual became an integral part of the new normality. People meet, walk, stroll through districts, play in landscapes, and perceive their environment anew with every stride.
In the context of entering the fourth wave of the COVID-19 pandemic, which implies new restrictions and new challenges for the theatre world, on October 1st will take place the launching of the Romanian version of ๐™๐™ƒ๐™€ ๐™’๐˜ผ๐™‡๐™†๐™Ž – an experimental performance created by the famous theatre label Rimini Protokoll in Berlin, in co-production with creart / Teatrelli and in partnership with Goethe-Institut Bucharest.
โœณย ๐™๐™ƒ๐™€ ๐™’๐˜ผ๐™‡๐™†๐™Ž is a collection of short audio experiences covering specific locations in the city, such as supermarket, theater, park, street, etc., being an invitation to rediscover and interact with your environment and grasping walking as a theatrical scenario.
The script and direction of ๐™๐™ƒ๐™€ ๐™’๐˜ผ๐™‡๐™†๐™Ž are signed by Helgard Haug, Stefan Kaegi, and Daniel Wetzel, the three directors who founded in 2000 the famous Rimini Protokoll theater label, awarded, among others, with the Faust Theatre Prize, the European Award โ€œNew Realities in Theatreโ€ or the Silver Lion at the Venice Biennale for performing arts.
๐Ž๐ง ๐ญ๐ก๐ข๐ฌ ๐จ๐œ๐œ๐š๐ฌ๐ข๐จ๐ง ๐ฐ๐ž ๐ข๐ง๐ฏ๐ข๐ญ๐ž ๐ฒ๐จ๐ฎ ๐จ๐ง ๐Ž๐œ๐ญ๐จ๐›๐ž๐ซ ๐Ÿ๐ฌ๐ญ, ๐š๐ญ ๐Ÿ• ๐๐Œ (๐„๐„๐’๐“ ๐ญ๐ข๐ฆ๐ž) ๐ญ๐จ ๐š๐ง ๐ฎ๐ง๐ข๐ช๐ฎ๐ž ๐๐ข๐š๐ฅ๐จ๐ ๐ฎ๐ž ๐ฐ๐ข๐ญ๐ก ๐‡๐ž๐ฅ๐ ๐š๐ซ๐ ๐‡๐š๐ฎ๐  ๐š๐ง๐ ๐’๐ญ๐ž๐Ÿ๐š๐ง ๐Š๐š๐ž๐ ๐ข ๐Ÿ๐ซ๐จ๐ฆ ๐‘๐ข๐ฆ๐ข๐ง๐ข ๐๐ซ๐จ๐ญ๐จ๐ค๐จ๐ฅ๐ฅ, ๐ฆ๐จ๐๐ž๐ซ๐š๐ญ๐ž๐ ๐›๐ฒ ๐Ž๐œ๐ญ๐š๐ฏ๐ข๐š๐ง ๐’๐š๐ข๐ฎ, ๐ฉ๐ซ๐จ๐Ÿ๐ž๐ฌ๐ฌ๐จ๐ซ, ๐ฌ๐œ๐ก๐จ๐ฅ๐š๐ซ ๐š๐ง๐ ๐ฉ๐ซ๐จ๐Ÿ๐ž๐ฌ๐ฌ๐ข๐จ๐ง๐š๐ฅ ๐ญ๐ก๐ž๐š๐ญ๐ซ๐ž ๐œ๐ซ๐ข๐ญ๐ข๐œ.
The dialogue will concentrate on the experimental production ๐™๐™ƒ๐™€ ๐™’๐˜ผ๐™‡๐™†๐™Ž, but also on the future of theatre, which is โ€“ probably more than ever – challenged to find new hybrid and digital formats, to experiment and innovate, in order to survive.
๐Ÿ‘‰ย More details about the dialogue here:ย https://teatrelli.com/…/helgard-haug-and-stefan-kaegi…/
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(RO)
๐‡๐ž๐ฅ๐ ๐š๐ซ๐ ๐‡๐š๐ฎ๐  ๐ฌฬฆ๐ข ๐’๐ญ๐ž๐Ÿ๐š๐ง ๐Š๐š๐ž๐ ๐ข ๐๐ž ๐ฅ๐š ๐‘๐ข๐ฆ๐ข๐ง๐ข ๐๐ซ๐จ๐ญ๐จ๐ค๐จ๐ฅ๐ฅ ๐ขฬ‚๐ง ๐๐ข๐š๐ฅ๐จ๐  ๐œ๐ฎ ๐Ž๐œ๐ญ๐š๐ฏ๐ข๐š๐ง ๐’๐š๐ข๐ฎ
๐‹๐ข๐ฏ๐ž, ๐จ๐ง๐ฅ๐ข๐ง๐ž, ๐ฉ๐ž ๐ฉ๐š๐ ๐ข๐ง๐ข๐ฅ๐ž ๐๐ž ๐…๐š๐œ๐ž๐›๐จ๐จ๐ค ๐“๐ž๐š๐ญ๐ซ๐ž๐ฅ๐ฅ๐ข, ๐‘๐ข๐ฆ๐ข๐ง๐ข ๐๐ซ๐จ๐ญ๐จ๐ค๐จ๐ฅ๐ฅ ๐ฌฬฆ๐ข ๐†๐จ๐ž๐ญ๐ก๐ž-๐ˆ๐ง๐ฌ๐ญ๐ข๐ญ๐ฎ๐ญ ๐๐ฎ๐œ๐ฎ๐ซ๐ž๐ฌฬฆ๐ญ๐ข
๐Ÿ.๐Ÿ๐ŸŽ.๐Ÿ๐ŸŽ๐Ÿ๐Ÿ, ๐Ÿ• ๐๐Œ (๐จ๐ซ๐š ๐๐ฎ๐œ๐ฎ๐ซ๐ž๐ฌฬฆ๐ญ๐ข๐ฎ๐ฅ๐ฎ๐ข)
๐ˆฬ‚๐ง ๐ฅ๐ข๐ฆ๐›๐š ๐ž๐ง๐ ๐ฅ๐ž๐ณ๐šฬ†, ๐Ÿ๐šฬ†๐ซ๐šฬ† ๐ญ๐ซ๐š๐๐ฎ๐œ๐ž๐ซ๐ž
Odatฤƒ cu pandemia, mersul pe jos รฎn spaศ›iul public a cฤƒpฤƒtat un nou sens. Un ritual strฤƒvechi ศ™i cotidian a devenit o componentฤƒ de bazฤƒ a noii normalitฤƒศ›i: oamenii se รฎntรขlnesc, se plimbฤƒ, umblฤƒ prin cartiere, se joacฤƒ รฎn naturฤƒ ศ™i รฎศ™i redescoperฤƒ vecinฤƒtฤƒศ›ile cu fiecare plimbare.
รŽn contextul รฎn care am intrat รฎn valul patru al pandemiei de COVID-19, care presupune noi restricศ›ii ศ™i noi provocฤƒri pentru scena teatralฤƒ, pe 1 octombrie va avea loc lansarea versiunii รฎn limba romรขnฤƒ a aplicaศ›iei ๐™๐™ƒ๐™€ ๐™’๐˜ผ๐™‡๐™†๐™Ž, spectacol-experiment realizat de celebra companie Rimini Protokoll din Berlin, รฎn co-producศ›ie cu creart/Teatrelli ศ™i รฎn parteneriat cu Goethe-Institut Bucureศ™ti.
โœณย ๐™๐™ƒ๐™€ ๐™’๐˜ผ๐™‡๐™†๐™Ž este o colecศ›ie de scurte spectacole audio concepute pentru locuri specifice din oraศ™ul tฤƒu ศ™i o invitaศ›ie de a-ศ›i redescoperi รฎmprejurimile ศ™i de a interacศ›iona cu ele, รฎnศ›elegรขnd mersul pe jos ca pe un scenariu teatral.
Textul ศ™i regia producศ›iei ๐™๐™ƒ๐™€ ๐™’๐˜ผ๐™‡๐™†๐™Ž sunt semnate de Helgard Haug, Stefan Kaegi ศ™i Daniel Wetzel, cei trei regizori care au fondat รฎn anul 2000 celebrul colectiv de teatru Rimini Protokoll din Berlin, distins, printre altele, cu Premiul European de Teatru โ€“ Premio Europa โ€“ la categoria Noi Realitฤƒศ›i รฎn Teatru sau Leul de Argint la cea de-a 41-a Bienalฤƒ de Teatru de la Veneศ›ia.
๐‚๐ฎ ๐š๐œ๐ž๐š๐ฌ๐ญ๐šฬ† ๐จ๐œ๐š๐ณ๐ข๐ž, ๐ฏ๐šฬ† ๐ข๐ง๐ฏ๐ข๐ญ๐šฬ†๐ฆ ๐ฉ๐ž ๐Ÿ ๐จ๐œ๐ญ๐จ๐ฆ๐›๐ซ๐ข๐ž, ๐๐ž ๐ฅ๐š ๐จ๐ซ๐š ๐Ÿ๐Ÿ—.๐ŸŽ๐ŸŽ (๐จ๐ซ๐š ๐๐ฎ๐œ๐ฎ๐ซ๐ž๐ฌฬฆ๐ญ๐ข๐ฎ๐ฅ๐ฎ๐ข), ๐ฅ๐š ๐ฎ๐ง ๐๐ข๐š๐ฅ๐จ๐  ๐๐ž ๐ž๐ฑ๐œ๐ž๐ฉ๐ญฬฆ๐ข๐ž ๐œ๐ฎ ๐‡๐ž๐ฅ๐ ๐š๐ซ๐ ๐‡๐š๐ฎ๐  ๐ฌฬฆ๐ข ๐’๐ญ๐ž๐Ÿ๐š๐ง ๐Š๐š๐ž๐ ๐ข ๐๐ž ๐ฅ๐š ๐‘๐ข๐ฆ๐ข๐ง๐ข ๐๐ซ๐จ๐ญ๐จ๐ค๐จ๐ฅ๐ฅ, ๐ฆ๐จ๐๐ž๐ซ๐š๐ญ ๐๐ž ๐ฉ๐ซ๐จ๐Ÿ๐ž๐ฌ๐จ๐ซ๐ฎ๐ฅ, ๐œ๐ž๐ซ๐œ๐ž๐ญ๐šฬ†๐ญ๐จ๐ซ๐ฎ๐ฅ ๐ฌฬฆ๐ข ๐œ๐ซ๐ข๐ญ๐ข๐œ๐ฎ๐ฅ ๐๐ž ๐ญ๐ž๐š๐ญ๐ซ๐ฎ ๐Ž๐œ๐ญ๐š๐ฏ๐ข๐š๐ง ๐’๐š๐ข๐ฎ.
Dialogul va aduce รฎn discuศ›ie producศ›ia-experiment ๐™๐™ƒ๐™€ ๐™’๐˜ผ๐™‡๐™†๐™Ž, dar ศ™i viitorul teatrului, รฎntr-o perioadฤƒ รฎn care โ€“ poate mai mult ca oricรขnd โ€“ artele spectacolului sunt supuse provocฤƒrii de a gฤƒsi noi formate hibride ศ™i digitale, de a experimenta ศ™i a inova, pentru a supravieศ›ui.
๐Ÿ‘‰ย Mai multe detalii despre dialog aici:ย https://teatrelli.com/…/helgard-haug-and-stefan-kaegi…/

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